ORMAN / Vital Visual Atlas
All 223 retained entries: 152 article figures and 71 manual pages. Each entry includes the image, retained analysis, and source links. The original 15 source documents and their complete retained text remain available.
This is a hosted snapshot of the existing Atlas, not new experimental evidence. Linked external videos, audio examples, and repository trees were not part of that snapshot. Original-resolution figures and original documents are retained.
User manual
- M01: User manual / Page 1
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Community manual
- C01: Community manual / Page 1
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EDMProd FM
- F01: waveforms with different frequencies
- F02: assign an LFO to a filter in Vital
- F03: The Yamaha GS-1 released in 1980
- F04: The Yamaha DX7
- F05: A wavetable in Serum
- F06: Filtering out harmonics with a low-pass filter
- F07: Using Fruity Granulizer for granular synthesis
- F08: Operators in FL Studio's Sytrus
- F09: A screenshot of the synth Vital
- F10: choosing oscillators in Vital
- F11: routing an oscillator as an FM modulator
- F12: routing an envelope to the frequency modulation amount
- F13: Frequency or Phase Modulation
- F14: Ring Modulation
- F15: the different types of modulation available in Vital
- F16: choosing waveforms in Vital
- F17: routing an LFO to a filter in Vital
- F18: changing the shape of an LFO in Vital
- F19: setting a low-pass filter in Vital
- F20: routing two different FM modulations in Vital
- F21: changing the shape of an LFO in Vital for FM synthesis
- F22: usign filters in Vital for FM synthesis
- F23: drawing a pad-like envelope in Vital for FM synthesis
- F24: enabling FM modulation in Vital
- F25: setting the waveforms in Vital for FM synthesis
- F26: drawing an LFO in Vital for FM synthesis
- F27: assigning an LFO in Vital for FM synthesis
- F28: applying some compression and distortion in Vital
- F29: applying some EQ and filtering in Vital
- F30: Serum synth
- F31: Setting up FM synthesis in Serum
- F32: FM Synthesis in Massive
- F33: FM Synthesis in Massive
- F34: FM Synthesis in Massive X
- F35: Enabling FM synthesis
- F36: Phase Plant synth
- F37: FM synthesis in Phase Plant
- F38: Modulating the frequency of OSC 1 with OSC 2
EDMProd Vital guide
- T01: Vital synth pricing options on website
- T02: The Vital synth interface
- T03: Vital synth components
- T04: Vital's oscillators and filters
- T05: Vital synth oscillators
- T06: Vital synth wavetable presets
- T07: Vital synth wavetable frames
- T08: Vital synth pitch adjusting
- T09: Vital synth filter routing
- T10: Vital unison section
- T11: Vital morphing knobs
- T12: Adding the Vital sampler
- T13: Applying an envelope
- T14: Vital synth sample random phase
- T15: Vital synth filter 1 knobs
- T16: Vital ADSR envelope
- T17: Increasing the envelope attack time
- T18: Adjusting the envelope settings
- T19: Applying an envelope to a parameter
- T20: LFO trigger mode and frequency
- T21: formant morphing modulation
- T22: Vital synth random modulation generator
- T23: macros
- T24: Macros
- T25: Vital synth's effect section
- T26: chorus effect
- T27: Vital compressor effect
- T28: Vital synth delay effect
- T29: Vital synth distortion unit
- T30: Vital synth EQ effect
- T31: Vital filter unit
- T32: Vital synth flanger
- T33: Vital synth phaser effect
- T34: Vital synth reverb unit
- T35: Vital synth matrix view
- T36: Vital synth modulation destinations
- T37: Vital modulation remap curve
- T38: Vital advanced settings
- T39: Vital synth analysis window
- T40: Vital synth free "Diabloic" skin
- T41: Vital synth free "Prometium" skin
- T42: free Gumroad skin for Vital
- T43: Opening the theme menu editor
- T44: Opening up the "Oscillator" editing menu
- T45: Editing colors in Vital synth
- T46: My own "Custom Pastel" skin
- T47: Vital synth transpose snap
- T48: Vital synth sample and hold modulation
- T49: Note tracking and velocity tracking
- T50: Adding note tracking to the reverb amount
- T51: Modulating the filter with a velocity tracker
- T52: Adjusting the note velocity in the piano roll
- T53: Enabling Glide
- T54: Glide and slop shape
- T55: Glide and slop shape
- T56: Accessing the wavetable editor
- T57: Adjusting oversampling settings
Vogel diagrams
- V01: Vital UI
- V02: Keyboard controls
- V03: Header bar
- V04: System menu
- V05: Four main tabs
- V06: Preset browser
- V07: Main volume and visualizer
- V08: Drag-and-drop modulation
- V09: Mod source and target highlighting
- V10: Matrix tab with source and destination menus
- V11: Macros
- V12: Note modulators
- V13: Random modulators
- V14: Oscillator
- V15: Sampler
- V16: Wavetable Editor
- V17: Wavetable Editor Presets
- V18: Keyframes
- V19: Wave Sources
- V20: Wave Source Editor
- V21: Bar Editors
- V22: Line Source Editor
- V23: Copy-Paste LFO to Wavetable
- V24: Audio File Source Editor
- V25: Drop Sample on Oscillator
- V26: Drop Sample on Oscillator
- V27: Drop Sample on Oscillator
- V28: Drop Sample on Oscillator
- V29: Phase Shift Modifier
- V30: Wave Window Modifier
- V31: Frequency Filter Modifier
- V32: Slew Limiter Modifier
- V33: Wave Folder Modifier
- V34: Wave Warp Modifier
- V35: Low-pass filter
- V36: Common filters
- V37: Diode filter
- V38: Formant filter
- V39: Comb filter
- V40: Phaser filter
- V41: Envelopes
- V42: LFOs
- V43: Effects tab
- V44: Chorus effect
- V45: Compressor effect
- V46: Compressor effect with bands
- V47: Compressor effect with ratios
- V48: Upward compression example
- V49: Downward compression example
- V50: Delay effect
- V51: Distortion effect
- V52: EQ effect
- V53: Filter effect
- V54: Flanger effect
- V55: Phaser effect
- V56: Reverb effect
- V57: Advanced tab